Contax 645 lenses
- #Contax 645 lenses manual#
- #Contax 645 lenses pro#
- #Contax 645 lenses iso#
- #Contax 645 lenses professional#
Jim, it’s good to hear your opinion about this camera in 2018. Nevertheless, buying one from a reputable dealer should not be taken lightly. While I’ve heard and read about the nightmarish reliability issues, I had no such problems though I admit a weekend of use is quite a small sample size. It is a camera that can take film or modern digital backs making it versatile enough for the old school film die-hard or the modern digital artist. To this day, it is considered one of the premier systems in all of medium format photography. While the AF can not be considered blazing by today’s standard, I found it to be a totally usable system for anything short of sports and street. If your style is built around shooting wide-open apertures for creamy backgrounds, then you should consider the Contax 645. The Contax 645 is an incredibly capable image maker and lives up to its reputation. f2 f2.8 f4 f5.6 f8 f11 f16 f22 Sample Images Conclusion
#Contax 645 lenses pro#
The following are images shot through each aperture on Fujifilm Pro 160 S.
#Contax 645 lenses manual#
Only the manual focus Mamiya 80mm f/1.9 is faster. The 80mm f2 Zeiss Planar is one of the fastest lenses available medium format.
#Contax 645 lenses professional#
Of course it’s a highly subjective matter but to me it just sounds and feels nice in a professional and confidently satisfying way, not unlike a Nikon FM3a, albeit much louder. These include the large, easy-to-grasp shutter dial, the coaxial exposure-mode selector, the exposure-compensation dial, and the smooth-operating, angled shutter release.Īnother thing I quite love about using the Contax 645 is the sound of the shutter. Virtually all its major controls except for those on the lens and the drive-mode dial on the left-hand side are conveniently clustered atop the nicely contoured handgrip on the right. The Contax 645 is clad in an attractive polycarbonate that’s grippy and built upon a rugged, durable hybrid chassis that’s mostly metal. On the back of the grip is the clever focus-mode control with a button that lets you focus manually even if you’re in single or continuous AF mode.
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The pale-green-illuminated LCD readouts below the viewing area provide large and legible vital information: battery status, frame number, meter-pattern icon, flash-OK and focus-OK signals, aperture and shutter speed numerals, and a manual-exposure scale that automatically appears whenever manual-exposure mode, pre-flash, or exposure compensation is used. The viewfinder on the Contax 645 is a joy to look out of and seems brighter and more contrasty than the Pentax and Mamiya equivalents I’ve played around with. The pioneering modular autofocus design is based on a slim main body section with built-in grip, where all major components, including AF lenses with built-in motors, 120/220 film and digital backs, and prism and waist-level finders attach, and interface electronically by means of gold-plated contacts. All the controls are well laid out and intuitive, to me it’s one of those cameras you could just pick up and use without a manual. When it debuted back in ’99, the Contax 645 was hailed as the first modular, medium-format, autofocus SLR, a masterpiece of mechanical and electronic integration, and praised for its handsome design, excellent balance, superb full-information viewfinder, and ergonomic controls.
![contax 645 lenses contax 645 lenses](https://mrleica.com/wp-content/uploads/2020/10/mamiya-645-review-1200x675.jpg)